Class meets Wednesdays: October 6, October 13, October 20, October 27 from 5:00 to 6:30pm EDT. →REGISTER ←
In this four-week poetry class, we’ll ask ourselves, “What is a successful harvest?” How have we gathered nourishment for our lives–food and water, material comfort, spiritual wealth, love–and how do we disperse that nourishment?
No, no, there is no going back.
Less and less you are
that possibility you were.
More and more you have become
those lives and deaths
that have belonged to you.
You have become a sort of grave
containing much that was
and is no more in time, beloved
then, now, and always.
–environmentalist and poet Wendell Berry, from “No Going Back”
In a world disrupted by human existence, how do we give back more than …
my filipino father’s
art was to christen each child
with a mother’s memory
from “Tanaga: Song Where Every Filipinx Person Is Standing by the Ocean” –JoAnn Balingit @jabalingit
POETRY magazine (@poetrymagazine) July/August 2021
This week, Ashley M. Jones and JoAnn Balingit talk about where poetry lives in the face of loss and grief, and how that intimate place can be shared. What does it mean to let the poem, the tree, be a bridge between us, between our identities, between the living and the dead?
Read Tanaga: Song Where Every Filipinx Person Is Standing by the Ocean from the July/August 2021 issue of Poetry. And listen to more of The Poetry Magazine Podcast! (I love Faisal Mohyuddin’s poem “Allah Castles” in the May issue of Poetry.)
In this four-week poetry class October 6-27, we’ll read and write poems to ask ourselves, What is a successful harvest?
Register for (each) Wednesday evening 5:00 to 6:30 EDT. Last class of the session is October 27th. Join us!
Free, Open to all, Sponsored by the Woodlawn Library (Delaware Libraries).
In a world disrupted by human existence, how do we give back more than we take? All levels welcome.
What were the names of the trees/ my father said good-bye to?
–“Tanaga: Song where every Filipinx Person Is Standing by the Ocean” in the July/August 2021 issue of Poetry Magazine
Why: In exercising your creativity, you give back.
What: Generative poetry writing class; Weekly handouts of readings for discussion and prompts
When: October 6, October 13, October 20, October 27. Wednesdays 5:00 to 6:30pm EDT.
Where: on Zoom. For link, register here: https://delawarelibraries.libcal.com/event/8016096 (Register for …
Practicing Poetry: Writing into Spring April 7 – June 23 5:00-6:30pm eastern
. . . from this yard I have been composing a great speech, that I write about myself, that it’s good to be a poet, that I look like the drawing of a house that was pencilled by a child, that curiously, I miss him and my mind is not upon the Pleaides, that I love the ocean and its foam against the sky –Lisa Jarnot, “The Bridge”
“Practicing Poetry” spring sessions begin April 7, 2021. We’ll meet on Wednesday nights 5 – 6:30pm EDT for six online sessions through June 23rd, over Zoom. Students can register for bi-monthly sessions here to receive the login link. Please register for each Wednesday you wish to attend. Here’s permission to compose a great …
Hatch some new poems in 2021! “Practicing Poetry” begins January 13, 2021 and runs for six online sessions through March 24th. We will write together on Wednesday nights 5:00-6:30 pm eastern. Students register for these Winter 2021 weekly sessions here.
This program is hosted by The Woodlawn Library and sponsored by Delaware Libraries. For teens and adults, all levels and suitable for beginners.
We will write a lot and read a lot, poems by Monica Sok, Natalie Diaz, Victoria Chang and Craig Santos Perez. Also poets Jericho Brown, Justin Phillip Reed*, Carl Phillips, Franny Choi and more.
Lesson and prompts will focus on themes of climate crisis, animal minds, what’s in a word, and locating loss. We will practice traditional forms like sonnet, tanka and love lyrics. But also newly-forged poetic forms such as Brown’s duplex, and Chang’s appropriation of the newspaper obit to reject the traditional elegy. Register …
I am participating in anthology reading at gallery space, The Rectangle, in Orange, NJ. My poem, “In the Stirrups,” came out of a postcard prompt Peter Murphy gave on Sunday morning during the Getaway in 2014.
More Challenges for the Delusional!
I am so honored to have that weekend’s poem delusion here alongside poems and a few stories by esteemed Annual Poetry and Prose Getaway participants and instructors!
Prose writers and poets will read from More Challenges for the Delusional (Diode Press, 2018). Come help celebrate the collection and contributors.
Poets Ona Gritz and Daniel Simpson edited this volume of prompts by Peter Murphy “and the writing they inspired.”
Take a listen:
Contributor Marcia LeBeau hosts the launch at The Rectangle. (You can listen to her “Letter to Myself at Eighty” from the anthology in this Painted Bride Quarterly podcast) .
An anthology of twenty-six writing prompts by Peter Murphy and forty poems by poets who led and attended poetry workshops at Murphy’s annual Winter Poetry and Prose Getaway held every January at the Jersey shore and going into its 26th year. Anthology includes four short stories and eight nonfiction works by writers who attended The Getaway or its satellite retreats in New Hampshire, Scotland, Spain and Wales. This second volume follows Murphy’s Challenges for the Delusional (2012), now in its second printing.
Emerging and accomplished writers include Kim Addonizio, Tony Hoagland, Dorianne Laux, Mimi Schwartz, and Pulitzer Prize winner Stephen Dunn. The prompts dare writers to take risks and produce work strange in its truth telling. More Challenges for the Delusional:Peter Murphy’s Prompts and the Writing They Inspired, Edited by Ona Gritz and Dan Simpson. Diode Editions, 2018. $15.00
I am happy to announce I’ve joined YesYes Books, an independent publisher of poetry books & the journal Vinyl Poetry, as an Assistant Editor in Book Development, focusing on eBook development & distribution.
Right now, I am researching the collection development landscape of public and school libraries, where development involves the acquisition of poetry and eBooks. That particular landscape undergoes an earthquake a week, followed by rapidly rebuilt skylines. I will also work with Rob MacDonald and publisher KMA Sullivan on furthering a wonderful project: E.P.I.C.–teams of poets in the schools, right where they’re needed!
This independent press is driven by a stellar group of creative people Sullivan has been gathering together over the past four years to promote poets, poetry, and poetry-in-education–by designing beautiful books that offer compelling work. YesYes is committed to social justice and educational outreach and the relationship between poet and artist. And to promoting …